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Sketch by Moiz Mamoowala, Pencil.

Photo at Raja Ravi Verma Art Gallery, Pune. (Right Shri Milind Mulick and Shri Charahaus Panditji).

An artist who has shaped and trained many artists and built the careers of thousands, he has completed over 10,000 workshops. He has a series of books on watercolour and a passion for painting at least one painting daily. It was a delight to interact with Shri Milind Mullick; he has been a great inspiration to me and has shared many life-changing insights and advice.

A few questions to Shri Milind Mullick.

Q1) Please could you share any 3 of the most special moments in your life that can help us be inspired by your experience?

Q2) How is your art show experience today as compared to your days during college and as an emerging artist?

Q3) What advice do you have for the new-age artist and students to make their mark in the art industry?

Q4) What joy does it bring to your professional and personal life by making art a profession first and then a passion?

Q5) AI seems to bring a lot of worry among artists. What do you feel can be the next big revolution for artists to tackle AI?

Q6) How has the art market made progress globally, and how do you think that Indian artists should reach out to the global market?

This Sunday brings joy to urban sketchers, having tea with Ar. Sanjeev Joshi explains my confusion about another architect by the same name in Baroda. He explains how he made urban sketching his passion and describes his newest track pants featuring calligraphy and his quote, “no money”.

Urban Sketchers meet has a lot of work put behind the scenes, and full credit goes to our co-ordinators, Mrs Devyani Pathak and Mr Aniruddha Dighe. A robust team that has put in selfless efforts to bring each meet a very lucrative idea and has inspired many students, hobbyist and professionals.

“Devika is the student head or ‘Gundi’ —spearheading an elite team of ten students who have achieved remarkable excellence in watercolour and fine arts. Her exceptional skills shine through her abstract work, inviting us to look deeper and engage with her vision. Beyond her art, she has meticulously scheduled a lineup of programs tailored for students, aspiring artists, and music lovers alike.”

Milind Mullick, a name in synonymous with water colour and art, with 10,000 workshops and many accolades in his cap, has made extensive efforts to reach out to art students to gather and celebrate this evening at Raja Ravi Verma.

The only ship that never sinks is the friendship between Charahuas Pandit ji and Milind Mullick, from yeh dosti ham nahi todenge to the toss of the coin to the yarri hain imaan meri yaar meri zindagi, let’s jam on the guitar along with the students and team.

The group art show at Raja Ravi Verma Art Gallery, the first of its kind student teacher in collaboration.

Rajika Mittra is the curator and driving force behind the Asian Art House, which specializes in bringing exceptional contemporary art from across India and Southeast Asia to curated luxury spaces.

For an event like this Art Brunch, her curation is what bridges the gap between the culinary experience and the gallery-level showcases, specifically selecting the Indi-Vietnamese art and Manoj Das’s Banaras paintings to transform Coriander Kitchen into a living gallery.

Coriander Kitchen

• Culinary Showcase: The buffet features a dedicated “Pahadi ki Rasoi” section, serving authentic, rustic flavors and traditional dishes from the Indian Himalayan foothills.
• Ambiance: The restaurant’s expansive architecture, marked by a 40-foot high ceiling and large windows, complements the exhibition of fine art.

Featured Art Exhibitions

The dining area transforms into a gallery space showcasing distinct cultural and artistic themes.

• Indi-Vietnamese Art: A unique display blending Indian sensibilities with Vietnamese artistic traditions, highlighting shared Eastern aesthetics, forms, and textures.
• Manoj Das’s Banaras Paintings: A collection by artist Manoj Das, capturing the mystical essence, ghats, and spiritual energy of Banaras through a distinct modern perspective and rich visual depth.

And I sketched while I was waiting at the Conrad.

Live sketch as Urban Sketchers Sunday meet of Flutist Neeraj Kulkarni.

Sketching in the patio of Coriander Kitchen.

Gateway of India

Furgesson College, Pune, F C Road.

Kakakuwa Mansion, Laxmi Road.

Dastur Meher Road, Camp, Pune

Furgesson College, FC Road, Pune

Urban Sketchers 10 year completion Logo

Xrbia Towship, Phase 2, Opp to Club House.

Paradise Restaurtant and Cafe, Secunderbad.

IHMC, Banjara Hills, Hyderabad

By Moiz Mamoowala

It’s heartening to see Pune leaning into its “cultural capital” roots by embracing the future of food, which, ironically, looks a lot like the past. Initiatives like the Earth Souk at Monalisa Kalagram aren’t just about shopping; they are about rebuilding a lost connection with the soil. Extending the Art gallery to artisanal food and making an excuse for a Mother’s Day gift hamper or for any festive occasion. Creating a unique experience for mothers and kids or grownups to treat their mothers for a memory inclusive of art, food and groceries.

Here is a breakdown of why this shift towards millets and mindful consumption is gaining such momentum:

Why the “Millet Revival” Matters?

Millets are often called “miracle grains” for a reason. While they were sidelined during the Green Revolution in favor of rice and wheat, their comeback is fueled by two major factors:

• Environmental Resilience: Millets are incredibly hardy. They require significantly less water than rice and can grow in poor soil without the need for synthetic fertilizers.
• Nutritional Powerhouse: They are gluten-free, have a low Glycemic Index (GI), and are packed with fiber, protein, and essential minerals like magnesium and iron.

At a Glance: What Earth Souk Offers

Category	Featured Highlights
The Grains	Ragi (Finger millet), Bajra (Pearl), Jowar (Sorghum), and minor millets like Foxtail and Kodo.
Pantry Staples	Cold-pressed oils, chemical-free jaggery, raw forest honey, and stone-ground spices.
Fresh Produce	Seasonal vegetables and fruits grown using regenerative farming practices.
Education	Workshops on cooking with millets and the “Farm-to-Fork” journey.

Beyond the Shopping Bag

The real value of events managed by community leaders like Akash Panavkar lies in the transparency they provide. In a typical supermarket, the “story” of your food is hidden behind plastic packaging. At the Earth Souk:

1. Direct Dialogue: You can actually talk to the person who grew your food, understanding the challenges of chemical-free farming.
2. Cultural Revival: By showcasing indigenous foods, the souk helps preserve traditional recipes and farming techniques that were on the verge of disappearing.
3. Community Building: It transforms the act of “buying groceries” into a social and educational experience, making sustainability feel like a collective journey rather than a chore.

Four years ago, a simple meeting at the Cymroza Art Gallery sparked a lasting friendship. At the time, there was a dream to gift a portrait of the legendary Shri. Ratan Tata to the man himself made by one of Manmohan Jaiswal’s friends. Despite several attempts, that dream remained unfulfilled, and eventually, the great visionary passed away.

But where one door closed, another opened.

Inspired by the journey, the focus shifted toward creating new works, including collaborations that brought fresh perspectives to the canvas. This creative path wasn’t just about painting; it was about a larger mission: making art a part of everyday life in India. Some of my paintings also included Shumi Bose, a true inspiration, and my consicous motivation to make this happen.

Now, as art takes centre stage on national platforms like NDTV for the portrait artist of the year, the journey has come full circle. Gifting this painting made by myself to Shri. Manmohan Jaiswal, a mentor and the founder of Aakriti Art Foundation, marks a beautiful milestone. It turns a missed opportunity from the past into a celebration of the future—one where art is finally gaining the importance it deserves.

Manmohan Jaiswal at his 4th edition of the Art Festival by Aakriti Art Foundation, Mumbai.

Amruta Fadnavis, at the Great Indian Spin.

Dr. Huz on his birthday, at the Punjab Grill restaurant.

Shri Sura Das Prabhuji, at Kharghar Isckon

Smt. Bhagwati Mittal, at her residence.

Assistant to Dr. Niranjan Hiranandani and Darshan Hiranandani at the Powai Office.

Ar. Sanjeev Joshi, stalwart of art and architecture restoration.

Mr. Baqar Nasser the Great Indian Spin at Byculla.

Mr. Jaoquim D’Souza, at Secunderabad.

Shri. Shabbir Shakir, at Secunderabad.

Smt. Fehmi Kantawala, at Moshi, Pune.

Smt. Yasmin Shaikh assistant to Smt. Ritu Chabbria at Muluk Madhav Foundation, Pune.

Amil Saheb Moiz Bhai Dalal, on the occasion of Moharram. The tree is at Jordan and is 1500 years old.

Shumi Bose, a portrait on canson paper and poster colours.

Head Constable Shri Laxmikant Barde, MRA Marg Police Stn.

Constable Bhujbal, MRA Marg Police Station.

Art Review by Moiz Mamoowala

It was a fine evening, and the weather was most favourable for a T20 World Cup match, resulting in India’s victory by 61 runs. Marathi is a sweet language, as a famous quote, ‘Til gud Ghya ani god god bola’. Maharashtrians are known for sweet talking and sweetness in their nature. Prem Jalsa is an event organised by Jalsa Studio spreading a message of love with a motto of Ishq Mohobat zindabad, pyar mohobat zinndabad setting the evening mood to love and remove hate. Pyar Dosti Zindabad, Pyar Mohobat Zindabad, offering sarcasm to the audience in the election mood, in case anyone is interested in doing murdabad and zindabad.

Marathi songs were melodious, and the energy in the audience doubled when a 15-year-old boy performed a Marathi song, “Majhi Fiat”.  

While Anirudh was painting his Radha, or the lady luck, in a dancing mood, with some fog and mist, he enjoyed the music and the painting while most of the audience was having a delightful experience of painting and music.

Lastly, Aniruddha and his friend Nami were invited on stage for a selfie, and the audience was asked to turn on their mobile torches to make a gesture of thanks through the lights.

With a final flourish, Aniruddha adds his calligraphy to the portraits. Attending a few viewers at his stall and ending the show with a selfie with friends.