Siddhartha Karmakar a curator and a master in fine arts from Kolkata. Has made tremendous efforts to bring these artist together, who have displayed various forms and concepts through their art. He aims to give a platform to new and emerging artists through these group art shows in Mumbai, Pune and Kolkata.
Freedom 3, an exhibition and award event at Nehru Centre Art Gallery, from 11 to 16 August, 2026.
Shailesh Meshram holds a degree in Fine Art from Chitrakala Mahavidyalaya (Nagpur School of Design). His artistic journey began early with numerous college group exhibitions centered on plein air painting. Professionally, he serves as the Creative Director at Seagull Advertising, seamlessly blending commercial design with fine art.
Fresh off the energy of his debut show at the prestigious Jehangir Art Gallery—an experience that has left him deeply inspired—Shailesh lives by a simple ethos: paint with passion, create with honest purpose, and devote genuine focus to every piece.
Krushna Gaikwad is an emerging artist hailing from Nashik and currently based in Ghatkopar, Mumbai, where he teaches at a private institution. After completing his undergraduate fine arts degree in Nashik, he earned his Master’s degree from the prestigious Sir J.J. School of Art.
Marking his debut show at the iconic Jehangir Art Gallery, Krushna reflects on this milestone as the realization of a artistic journey set into motion during his formative student years.
Pradnya is a seasoned communications professional who manages a PR agency in Mumbai, delivering strategic media relations and public affairs solutions for major corporate clients.
Beyond her corporate achievements, Pradnya carries a deeply personal legacy shaped by her late father—a renowned artist known for his immense patience and profound creative devotion. Deeply moved when reflecting on their relationship, she views the artistic heritage and values passed down by him as her greatest treasure, continuing to inspire both her personal life and her approach to public relations.
Parshvanath Nandre is a visionary contemporary artist who splits his time between Mumbai and Kolhapur. An alumnus of the renowned Dalvis Art Institute, Nandre held his very first exhibition in 1992 at his village college. Over the decades, his work has gained international acclaim, featuring in exhibitions across New Delhi, London, South Korea, and Ahmedabad.
A pioneer in material exploration, Nandre is celebrated for introducing and developing a signature technique using cut canvas—an innovative medium that adds a sculptural dimension to flat space and establishes him as a leading force in modern artistic experimentation.
Jehangir sets yet another wave of art and culture celebrating India Indepedence day.
Sketch by Moiz Mamoowala, Pencil.
Photo at Raja Ravi Verma Art Gallery, Pune. (Right Shri Milind Mulick and Shri Charahaus Panditji).
An artist who has shaped and trained many artists and built the careers of thousands, he has completed over 10,000 workshops. He has a series of books on watercolour and a passion for painting at least one painting daily. It was a delight to interact with Shri Milind Mullick; he has been a great inspiration to me and has shared many life-changing insights and advice.
A few questions to Shri Milind Mullick.
Q1) Please could you share any 3 of the most special moments in your life that can help us be inspired by your experience?
Q2) How is your art show experience today as compared to your days during college and as an emerging artist?
Q3) What advice do you have for the new-age artist and students to make their mark in the art industry?
Q4) What joy does it bring to your professional and personal life by making art a profession first and then a passion?
Q5) AI seems to bring a lot of worry among artists. What do you feel can be the next big revolution for artists to tackle AI?
Q6) How has the art market made progress globally, and how do you think that Indian artists should reach out to the global market?
Milind Mullick shares his experience of being an artist and how art has always been a passion.
About the Temple
The Vitthal Temple (Shri Vitthal-Rukmini Mandir) in Bhugaon, located off the Paud Road / Mulshi corridor on the outskirts of Pune, serves as a key spiritual hub for the local village community and nearby neighborhoods. Dedicated to Lord Vitthal (a form of Vishnu) and his consort Rakhumai (Rukmini), it holds particular significance within the Warkari devotional tradition.
Key Highlights & Features
- Deities: The central sanctum (garbhagriha) houses idols of Lord Vitthal and Goddess Rukmini.
- Community & Devotional Significance: Like most traditional village Vitthal temples across Maharashtra, it hosts daily pujas as well as community bhajans and kirtans, especially on Thursdays, Saturdays, and Ekadashi days.
- Local Landmarks: Located near Paud Road in Bhugaon, close to key landmarks like Manas Lake and the surrounding western suburbs (Bavdhan, Kothrud).
Practical Information
| Attribute | Details |
| Location | Bhugaon (Mulshi Road / Paud Road), Pune, Maharashtra – 412115 |
| Primary Deities | Lord Vitthal and Goddess Rukmini |
| Peak Days | Devashayani (Ashadhi) Ekadashi, Prabodhini (Kartiki) Ekadashi, and weekly Ekadashi days |
| General Timings | Open daily from early morning (~6:00 AM) to evening (~8:30 PM / 9:00 PM) |
This Sunday brings joy to urban sketchers, having tea with Ar. Sanjeev Joshi explains my confusion about another architect by the same name in Baroda. He explains how he made urban sketching his passion and describes his newest track pants featuring calligraphy and his quote, “no money”.
Urban Sketchers meet has a lot of work put behind the scenes, and full credit goes to our co-ordinators, Mrs Devyani Pathak and Mr Aniruddha Dighe. A robust team that has put in selfless efforts to bring each meet a very lucrative idea and has inspired many students, hobbyists, and professionals.
Below is map for Vittal Temple, Bhugaon