Category Interviews

Siddhartha Karmakar a curator and a master in fine arts from Kolkata. Has made tremendous efforts to bring these artist together, who have displayed various forms and concepts through their art. He aims to give a platform to new and emerging artists through these group art shows in Mumbai, Pune and Kolkata.

Sketch by Moiz Mamoowala, Pencil.

Photo at Raja Ravi Verma Art Gallery, Pune. (Right Shri Milind Mulick and Shri Charahaus Panditji).

An artist who has shaped and trained many artists and built the careers of thousands, he has completed over 10,000 workshops. He has a series of books on watercolour and a passion for painting at least one painting daily. It was a delight to interact with Shri Milind Mullick; he has been a great inspiration to me and has shared many life-changing insights and advice.

A few questions to Shri Milind Mullick.

Q1) Please could you share any 3 of the most special moments in your life that can help us be inspired by your experience?

Q2) How is your art show experience today as compared to your days during college and as an emerging artist?

Q3) What advice do you have for the new-age artist and students to make their mark in the art industry?

Q4) What joy does it bring to your professional and personal life by making art a profession first and then a passion?

Q5) AI seems to bring a lot of worry among artists. What do you feel can be the next big revolution for artists to tackle AI?

Q6) How has the art market made progress globally, and how do you think that Indian artists should reach out to the global market?

“Devika is the student head or ‘Gundi’ —spearheading an elite team of ten students who have achieved remarkable excellence in watercolour and fine arts. Her exceptional skills shine through her abstract work, inviting us to look deeper and engage with her vision. Beyond her art, she has meticulously scheduled a lineup of programs tailored for students, aspiring artists, and music lovers alike.”

Milind Mullick, a name in synonymous with water colour and art, with 10,000 workshops and many accolades in his cap, has made extensive efforts to reach out to art students to gather and celebrate this evening at Raja Ravi Verma.

The only ship that never sinks is the friendship between Charahuas Pandit ji and Milind Mullick, from yeh dosti ham nahi todenge to the toss of the coin to the yarri hain imaan meri yaar meri zindagi, let’s jam on the guitar along with the students and team.

The group art show at Raja Ravi Verma Art Gallery, the first of its kind student teacher in collaboration.

Rajika Mittra is the curator and driving force behind the Asian Art House, which specializes in bringing exceptional contemporary art from across India and Southeast Asia to curated luxury spaces.

For an event like this Art Brunch, her curation is what bridges the gap between the culinary experience and the gallery-level showcases, specifically selecting the Indi-Vietnamese art and Manoj Das’s Banaras paintings to transform Coriander Kitchen into a living gallery.

Coriander Kitchen

• Culinary Showcase: The buffet features a dedicated “Pahadi ki Rasoi” section, serving authentic, rustic flavors and traditional dishes from the Indian Himalayan foothills.
• Ambiance: The restaurant’s expansive architecture, marked by a 40-foot high ceiling and large windows, complements the exhibition of fine art.

Featured Art Exhibitions

The dining area transforms into a gallery space showcasing distinct cultural and artistic themes.

• Indi-Vietnamese Art: A unique display blending Indian sensibilities with Vietnamese artistic traditions, highlighting shared Eastern aesthetics, forms, and textures.
• Manoj Das’s Banaras Paintings: A collection by artist Manoj Das, capturing the mystical essence, ghats, and spiritual energy of Banaras through a distinct modern perspective and rich visual depth.

And I sketched while I was waiting at the Conrad.

Live sketch as Urban Sketchers Sunday meet of Flutist Neeraj Kulkarni.

Sketching in the patio of Coriander Kitchen.

Four years ago, a simple meeting at the Cymroza Art Gallery sparked a lasting friendship. At the time, there was a dream to gift a portrait of the legendary Shri. Ratan Tata to the man himself made by one of Manmohan Jaiswal’s friends. Despite several attempts, that dream remained unfulfilled, and eventually, the great visionary passed away.

But where one door closed, another opened.

Inspired by the journey, the focus shifted toward creating new works, including collaborations that brought fresh perspectives to the canvas. This creative path wasn’t just about painting; it was about a larger mission: making art a part of everyday life in India. Some of my paintings also included Shumi Bose, a true inspiration, and my consicous motivation to make this happen.

Now, as art takes centre stage on national platforms like NDTV for the portrait artist of the year, the journey has come full circle. Gifting this painting made by myself to Shri. Manmohan Jaiswal, a mentor and the founder of Aakriti Art Foundation, marks a beautiful milestone. It turns a missed opportunity from the past into a celebration of the future—one where art is finally gaining the importance it deserves.

Manmohan Jaiswal at his 4th edition of the Art Festival by Aakriti Art Foundation, Mumbai.

Amruta Fadnavis, at the Great Indian Spin.

Dr. Huz on his birthday, at the Punjab Grill restaurant.

Shri Sura Das Prabhuji, at Kharghar Isckon

Smt. Bhagwati Mittal, at her residence.

Assistant to Dr. Niranjan Hiranandani and Darshan Hiranandani at the Powai Office.

Ar. Sanjeev Joshi, stalwart of art and architecture restoration.

Mr. Baqar Nasser the Great Indian Spin at Byculla.

Mr. Jaoquim D’Souza, at Secunderabad.

Shri. Shabbir Shakir, at Secunderabad.

Smt. Fehmi Kantawala, at Moshi, Pune.

Smt. Yasmin Shaikh assistant to Smt. Ritu Chabbria at Muluk Madhav Foundation, Pune.

Amil Saheb Moiz Bhai Dalal, on the occasion of Moharram. The tree is at Jordan and is 1500 years old.

Shumi Bose, a portrait on canson paper and poster colours.

Head Constable Shri Laxmikant Barde, MRA Marg Police Stn.

Constable Bhujbal, MRA Marg Police Station.

Art review by Moiz Mamoowala

Born in Jodhpur, He was schooled at St. Vincent’s High School, Pune. It was a moment of joy when Rajendraji shared his memories through his paintings of 4 cities, Jodhpur, Mumbai, Pune and Khajuraho.

A gold medalist at Youth Art Festival, an urban sketcher and a member of the Water Colour Association.

His friends from school accompanied and supported him for his solo show “Aquarelle Rendezvous”. Explaining his interest and knowledge about art and dedication towards artistic exploration and ideas. Having worked in business management and advertising, he has acquired specialised skills and developed a talent to showcase artistic sun and shade, life-like urban sketching, and watercolour paintings through his travel diaries.

An Audio of the Opening Dialogue. By Mr and Mrs Martyrs

A special moment, Shri Rajendra Mehta’s friends Mr Allen and Mrs Fiona Martyr’s, share a moment of the lighting of the samai and then opening the show for viewing, purchase, while having a sip of tea and coffee. Urban Sketchers were a support system and special thanks to Shridhar Susumal who has been instrumental and key person in making this art show a grand success.

Artist and Reiki healer Vidisha Goenka Bajoria transforms painting into a meditative practice. Her work invites viewers to pause and reconnect with nature—admiring flowers, leaves, butterflies—moments often lost in life’s rush.

From Kolkata roots to Rajasthan influences, her art spans self-portraits, wildlife, and cultural landscapes. Each piece explores inner healing and self-consciousness, expressing how thoughts shape our reality.

Sacred Symbolism

Large-scale Nandi watercolor painted on her bed—a challenging feat showcasing devotion and patience.

Protective Bonds

Lion couples watching over each other, symbolizing partnership and mutual care in relationships.

Spiritual Journey

Varanasi painting capturing an artist’s life span in one delightful, soul-stirring composition.

Cultural Roots

Rajasthan’s vibrant essence flows through her work, honoring heritage and identity through art.

Her book complements the exhibition, guiding readers toward healing and balance through inner soul energy. Launched at Raja Ravi Verma Art Gallery, Pune on Tuesday, 7 Oct 2025. Priced at 300 rupees.

Zista Events recently hosted a groundbreaking seminar at ‘The O Hotel’ in Pune, setting new benchmarks for students aspiring to pursue higher education abroad, particularly in the cutting-edge fields of AI and Robotics. The event brought together leading academics and industry experts to shed light on the transformative impact of these technologies and the global opportunities they present.

Robotics: Redefining Human Potential

The session on robotics was spearheaded by Dr. Ilya Fridman, a distinguished professor and Head of the Department for Art and Design at Monash University. Dr. Fridman, renowned for his work on the ‘Robotic Library’—an innovative online resource cataloging robots for everyday life applications—captivated the audience with his vision of a future where robots seamlessly integrate into our lives, freeing humans from mundane and high-risk tasks.

Beyond the Minutiae: Robots for Dignified Living

Dr. Fridman elaborated on the process of conceptualizing and building robots, emphasizing the identification of tasks that can be automated to elevate human dignity. He highlighted how robots could take over labor-intensive, hazardous, or repetitive jobs such as mining, cleaning, and waste management. This allows humans to focus on higher-order thinking, creativity, and innovation, thereby reducing costs and improving efficiency across various sectors. The discussion also touched upon advanced robotic forms, including holographic robots, and the potential for artistic applications, such as motorizing or robotizing statues to enhance city aesthetics, drawing inspiration from local attractions like Tikuji-Ni-Wadi’s dinosaur robots.

AI’s Impact on Design & Communication

A subsequent session delved into the profound impact of Artificial Intelligence on the future of design and communication. Moderated by Mrs. Mitali, the panel featured prominent speakers Mr. Chandan, Mrs. Kulkarni, and Mr. Paknikar. The discussion underscored how AI is reshaping design from its aesthetic roots into a more deeply meaningful and functionally artistic representation. From advertising promotions to intricate packaging designs, AI is poised to streamline processes and perform tasks with unprecedented efficiency.

AI and the Evolving Job Market

The event saw significant audience engagement, with many questions revolving around AI’s influence on the job market. The consensus was that AI will increasingly digitize every facet of our lives, minimizing human intervention in routine tasks and liberating individuals from “minuscule jobs.” This shift is expected to free up human labor for more complex and creative endeavors, potentially leading to reduced costs for products and technologies. Historical examples, such as the old railway station weighing scales—an early form of automation—were cited to illustrate the long-standing progression of robotic integration into daily life.

The transformation is evident in industries like automotive manufacturing, where robotic arms have revolutionised assembly lines, and in stone cutting, showcasing AI’s capability in precision tasks.

Furthermore, the potential for robots to undertake high-risk roles like traffic management and firefighting was explored, painting a vivid picture of a safer and more efficient future powered by advanced technology. One logistic or warehousing example is Future Groups Warehouse, which is completely robotic located at Chakan Road, Pune, which was inaugurated by Shree Nitin Gadkari.

The event concluded with a networking tea, allowing attendees the invaluable opportunity for one-on-one interactions with representatives from various universities, further facilitating their study abroad aspirations.